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The kaleidoscopic effect of the Mossi vase is both a stroke of creative genius and a feat of technical mastery.
René Lalique designed this centerpiece in 1933; the material originally chosen was simple glass, which the company transformed into the vibrant intensity of crystal.
A true complement to modernity, the Mossi plays on the contrast between the brilliance of its cabochons and the frosting of its base.
(modificale nel modulo Rassicurazioni cliente)
(modificale nel modulo Rassicurazioni cliente)
(modificale nel modulo Rassicurazioni cliente)
Select your desired shipping method at checkout.
Shipping Methods:
- Collection at the Parenti store in Florence
- Shipping to Italy via BRT, Fedex and DHL: free shipping in 3/5 working days
- Shipping to Europe via Fedex and DHL: free shipping in 3/5 working days
- Shipping to the rest of the world via Fedex and DHL: shipping costs are calculated at the time of ordering and displayed in the cart before confirmation based on the chosen country. Delivery times in 3/10 working days.
Select your desired shipping method at checkout.
Shipping Methods:
- Collection at the Parenti store in Florence
- Shipping to Italy via BRT, Fedex and DHL: free shipping in 3/5 working days
- Shipping to Europe via Fedex and DHL: free shipping in 3/5 working days
- Shipping to the rest of the world via Fedex and DHL: shipping costs are calculated at the time of ordering and displayed in the cart before confirmation based on the chosen country. Delivery times in 3/10 working days.
In 1926 René Lalique created the Tourbillon vase.
Inspired by the movement of the fern flower, its abstract design allows maximum freedom of interpretation.
Graphic and poetic, its curves surprisingly follow the rhythm of light, drawing the eye into crystal swirls.
Perfect in any environment, it conveys its beauty and great artistic quality.
Admire the great skill conveyed by the depth of the crystal and its engraving.
We also recommend it as a splendid gift on any occasion.
An alliance of brute force and delicacy, a juxtaposition of square forms to the curved lines of carved motifs, Pivoines vases embody a contrast of mineral strength and floral romance.
A symbol of prosperity, beauty and honor, the peony is an emblematic flower, especially in China where it is often depicted.
As if carved into the groove of a rock, the flower garlands take over the crystal as lush nature takes its rightful place on abandoned buildings.
Their modeling also evokes the process of lost-wax sculpture, when the craftsman breaks the plaster mold to reveal the piece.
In 1927, René Lalique's boundless imagination and creative genius led to the creation of the Bacchantes vase.
The iconic design depicts the young priestesses of Bacchus with their voluptuous beauty and curves. A work of unparalleled beauty, the vase's splendor and sensuality continue to leave admirers spellbound.
Since its first release, the vase has been a staple of the Lalique collection and has become an enduring symbol of the celebrated Lalique style.
The kaleidoscopic effect of the Mossi vase is both a stroke of creative genius and a feat of technical mastery. René Lalique designed this flagship piece in 1933.
His original choice of material was simple glass, which the company transformed into the vibrant intensity of crystal.
A true modern interior design accessory, the Mossi vase plays on the contrast between the brilliance of its cabochons and the satin finish of its base. It has recently been reinterpreted in this extra-large version.
The kaleidoscopic effect of the Mossi vase is both a stroke of creative genius and a feat of technical mastery.
René Lalique designed this centerpiece in 1933; the material originally chosen was simple glass, which the company transformed into the vibrant intensity of crystal.
A true complement to modernity, the Mossi plays on the contrast between the brilliance of its cabochons and the frosting of its base.